Meanwhile, the campaign leading up to the reveal ran deep. Mike Sandison and Marcus Eoin seeded cryptic VHS teasers to fans. Posters referencing the duo appeared in London, New York, California and Tokyo’s Liquidroom. The build-up culminated in a 42-second trailer that previewed fresh music.
Furthermore, the brothers broke their silence on April 16 with ‘Tape 05’, an ambient piece. The cut marked their first new song in over a decade. In turn, ‘Tape 05’ set the tone for what follows.
The limited vinyl edition carries a 16-page booklet and the familiar Boards of Canada visual code. Crucially, the album arrives through Warp Records, their long-time label home. Fans of ‘Music Has the Right to Children’ and ‘Tomorrow’s Harvest’ have waited over a decade for this return. Equally, May 29 now lands as one of 2026’s most anticipated release dates.
Still, the duo have kept public appearances rare and interviews even scarcer. The announcement reinforces that pattern. Boards of Canada have long shaped the DNA of electronic music without courting the spotlight. Their influence stretches across IDM, ambient, and the wider electronic album tradition. Furthermore, the Warp Records back catalogue has long treated the duo as one of its cornerstone projects.
Finally, pre-orders are live on the Warp storefront, and the Spotify pre-save page is already open. The 13-year wait for new material now has an end date.
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