Long before the clubs, Garnier was already building his life around music. As a teenager he turned his bedroom into a miniature discotheque, obsessively collected records and began mixing on free radio in the early 1980s. His route into dance music itself was far from obvious. After hotel school, he moved to London and worked as a valet at the French ambassador’s residence, serving guests including Jacques Chirac, Valéry Giscard d’Estaing, Queen Elizabeth II and Princess Diana.
Everything changed in Manchester. At the Haçienda, Garnier discovered house music in a club setting and became obsessed, later describing hearing Farley “Jackmaster” Funk‘s ‘Love Can’t Turn Around’ there as a life-changing moment. He began circulating homemade mixtapes around the city, and in 1987 landed a residency at the Haçienda under the name DJ Pedro, placing him inside one of the clubs that would help ignite the UK acid-house revolution.
Back in France, Garnier became a key force in the country’s emerging electronic scene. In 1994 he co-founded F Communications with Éric Morand, helping build a platform for a new generation of French electronic artists. His impact stretches well beyond his own DJ career: he helped push electronic music from the underground toward wider cultural recognition in France, consistently defending clubbing as a collective experience, culture and something more than simple entertainment. In other news, we recently covered Laurent Garnier’s deluxe vinyl and CD for fabric’s 25th anniversary.
Ramadier has been documenting Garnier‘s world for more than a decade. She previously co-created the 2013 graphic novel Rêves syncopés, inspired by his life, and developed the new book through extensive conversations with Garnier himself. The result reads as both a portrait of a pioneer and a manifesto for dance, celebration and nightlife.
‘Laurent Garnier’ by Mathilde Ramadier is out now in France via Les Pérégrines. A must-read for anyone invested in the story behind one of Europe’s most influential figures in electronic music.
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