ADRIANNA discusses main influences, her very own Temple House Music label and more: Interview

Leaving no doubt to the imagination, tech-house and techno prodigy ADRIANNA is more than set on taking over the dance scene with each of her endeavours. A truly versatile artist that is on the rise, this is one interview that you most definitely do not want to miss out on.

Taking over the dance scene in the most immersive of fashions, ADRIANNA is the epitome of an artist that has not only mastered her craft to the utmost of perfection, but at the same time, has ensured that her attention to detail will always provide that cutting edge in order to remain one step ahead from all the rest. Graduate of the well-renowned Toolroom Academy, this fast rising star has set her sights on nothing less than global dominance, and with a style of play that constantly evolves through her versatile nature, we could not be anymore certain of the prosperous career that lays ahead. Offering a fresh now outlook for our community, this tech-house and techno prodigy has been leaving a lasting impact with each of her endeavours, with prime example the creation of her very own record label, Temple House Music. Blessing us all with each of her highly energetic productions, as well as her equally breathtaking live performances, we could not be any happier to be joined by ADRIANNA, as she discusses main influences and inspirations, the significance of maintaining a versatile nature, the origin of her style of play, attending and graduating from the Toolroom Academy, the foundation behind her own imprint, hosting her very own Temple House Stage at Electric Garden, the thought process behind her hit tracks and so much more.

Hello and thank you for joining us! Could you give us an insight on the main inspirations and influences that led to your chosen career pathway in music?

My main inspiration was the rave culture. I started quite young. I was about 15 the first time I went to a rave and since then, my love for electronic music has continued to grow. During my teenage years, I collaborated with various artists and producers. One of the most challenging aspects of those collaborations was coordinating our schedules to complete tracks. It was at this point that I realized the importance of being able to create my own music, which led to my journey into music production. I was fortunate to have friends who were DJs while I was growing up; they used vinyl and CDJs. I eagerly seized every opportunity they offered me to experiment and play with these tools.

Graduating from the well-renowned Toolroom Academy, we would like to know the key values gained during your course, the ways in which you were able to shape your style of play, as well as an overview of the experience as a whole?

The Toolroom course helped me to develop my sound and gain a deeper understanding of house music and the various niches of genres and subgenres. The tutors there are all super-experienced and successful producers in their own right, so it was a great starting point for what I wanted to do. I’d recommend it to anyone looking to take the next steps in their production, for sure.

With tech house and techno your preferred genres of production, could you give us an insight on how your signature sound came to be, as well as your own thoughts on how significant a versatile nature can be for an artist in this day and age?

I’ve always loved vocals and melodies but equally heavy music, impactful. The kind that shakes the dancefloor. I make and play music in my sets that reflect this, but I also believe it’s important to go on a journey. I don’t want to ever feel trapped into only playing one or two genres. If it fits, I want to try and experiment. That goes with individual sounds in a composition or in mixing tracks in a set.

Creating your very own label in Temple House Music, we would like to know the main concept behind this initiative, the mission that you have set out to achieve, as well as an overview on the platform itself and the artists it has set out on developing their careers within our scene?